Yes, I know, it is a week since the end of October and I’m only just doing a monthly round up now, but in all fairness; I’ve only just decided that this is something I want to do, so consider this a practice run.
This has been a big reading month for me, so I promise that there won’t be this amount of content in every monthly round up, but in October I managed 12 books. Phew, no wonder I’m tired! A lot of this level of reading has something to do with an ongoing bout of insomnia: and a lot of my insomnia might have something to do with picking up books way too close to bedtime. Whoever advised that you should read before going to sleep at night to help relax was clearly reading very different sorts of books.
Anyway, moving on. At the end of each month I plan to rank the books I’ve read that month – best at the top. I’m really shocked to notice that my two best books from October are non-fiction as I’m normally purely a fiction kind of girl (Real life has too many sharp edges).
The Guilty Feminist: From our noble goals to our worst hypocrisies by Deborah Frances White
Anyone who uses podcasts should be listening to the Guilty Feminist podcast. Thought-provoking, educational, intersectional and always striving to be better while admitting to those little niggles that might undermine your best intentions, the Guilty Feminist community is a glorious community filled with laughter, hope and righteous anger when it’s required. It’s fair to say I love it, so when a friend sent me a signed copy of Deborah Frances White’s new book, which deals with the same themes, I immediately promoted her to best friend and gave her my children in my will. (I didn’t do that; She would never have forgiven me. She’s getting the cat.)
I am also stealing her review of the book because I haven’t thought of anything better and I’m shameless: “It’s a self-help book for people who hate self-help books.” And it is. I found it empowering, inspirational, funny and challenging. If you want to know how and why you should check your privilege, why you take every opportunity to make your voice heard or even why it’s ok to like Say Yes to the Dress and how Dirty Dancing is a feminist text, then this is the book for you. Bugger that, this is a book for everyone and everyone should read it now.
As you Wish: Inconceivable Tales from the Making of the Princess Bride by Cary Ewles, Joe Layden and Rob Reiner
Look there’s no getting round it, I am a MASSIVE fan of the Princess Bride and have been for a very long time so picking this book to read was a no-brainer for me. An account of the Princess Bride from the perspective of a very young and green Cary Ewles with contributions from every other major player who is currently still alive, this book is as charming, innocent and full of love and nostalgia as the film itself. In fact it made me desperate to go and watch it again – which is what all good accounts should do. It feels a little bit too lovey at times, and the dismissive way everyone just accepts Robin Wright’s role boosting the male characters despite being the titular character is a little disappointing, but If you like the Princess Bride, this is a must read.
The Humans by Matt Haig
Matt Haig has been a bit of a discovery for me this year. I know he’s been around and doing his thing for ages, but I’ve only just fallen in love with his style and imagination. The Humans feels like a mix between non-fiction and high fantasy. Ostensibly the story of an alien assassin sent to earth to impersonate a mathematician and remove any and all evidence of his latest groundbreaking discovery (seriously, what’s not to love about that concept?), the tale is actually a study of what makes us human, what connects us and how, given all our apparent cruelty, barbarism and hypocrisies, do we retain our optimism and earn our place in the Universe. It’s a lovely story full of heart in the face of apparent darkness. You will need to be able to suspend your cynicism and allow yourself to be swept along in the story, as Matt Haig’s writing works best on the emotive level.
First Among Sequels, Something Rotten and The Well of Lost Plots by Jasper Fforde
Somewhat unfairly I am writing a review for all three of these books together as they are all part of the same “Thursday Next” Series, which is suitably intricate so I would recommend starting at the beginning and working your way through. Even then you may find some of the more fantastical mechanics of how the bookworld operates confusing but the rollicking adventure more than makes up for it, and as Fforde points out through his characters “Some people like the technical stuff”.
Thursday Next is a literary detective for the Swindon division of Spec Ops in an alternate world where Dodos, Mammoths and time travel are all prevalent. Not only that but Thursday has discovered the ability to jump in and out of the “bookworld” which consists of any type of writing. Including washing instructions. If you are still with me then this is definitely a series to pick up. I’ve enjoyed them all so far, even the bits I didn’t fully follow. The world building is suitably whimsical and meta that it probably covers no end of narrative sins. Some characters are jarring, but few stick around for long and there’s endless fun to be had with spotting all the literary references.
Little Fires Everywhere by Celeste Ng
Mia Warren and her 15 year old daughter Pearl live a nomadic lifestyle, but as they arrive in Shaker Heights they intend to bring that to an end, allowing Pearl to invest in making friends and hopes for the future for the first time. Their arrival however sends ripples throughout the rigid suburban community and particularly the tidy life of their landlady Mrs Richardson.
With a little space from this book I’m now torn. I enjoyed it while I was reading it, and the characters were well drawn. I didn’t spot a lot of the twists and turns or how well some of the sub-plot characters would connect with me and the “little fires” that are lit are absolutely needed to subvert the suppression. But I’m not jumping up and down with excitement about it. I’m glad I read it but I’m not rushing to recommend it to anyone as a must read, although I suspect it would make some people question their life choices.
The Haunting of Hill House by Shirley Jackson and Laura Miller
I picked this up because I was looking for something with a spooky atmosphere. I loved the film from the 1960s and along with half the world’s population it seems, I’m currently hiding behind pillows watching the new TV show on Netflix (Which has very little to do with the book except for a few name checks and nods.). Focused on 4 people: 2 women with varying supernatural experiences, a young man who is set to inherit the house and Dr Montague who invites them to stay one summer and see what they can uncover within the supposedly haunted house, the narrative stays pretty close to Eleanor’s viewpoint. It does so so subtly that it is only as the book itself decends into madness alongside Eleanor that you realise how linked you are to her perspective. A nice read with plenty of atmosphere, it feels tame in comparison to even the 1960s film, let alone the current series.
False Lights by K.J. Whittaker
I received this book as part of my book subscription and absolutely would not have chosen this by myself, so going into it with fairly low expectations meant I was pleasantly surprised. Set in an alternate universe where Napoleon won the battle of waterloo and England is now under occupation by the French, this historical romance novel follows the adventures of Hester Harewood. The daughter of a black sea captain and a disowned aristocrat, she has to avenge the murder of her father, tame her new husband who is suffering from PTSD and save her home, the Duke of Wellington and England itself, all while carrying the weight of society’s haughty disdain fuelled by racism. It’s a pretty heavy load, but luckily she’s a compelling heroine. So why so low on the list? I think because it feels so niche and while I was interested in what happened I don’t think I actually emotionally connected with anyone. For a start I loathed Jack Crowlas and so the fact that Hester was so drawn to him held me back from committing to her totally. If you like historical romance I think you’d love this. If you don’t, maybe steer clear.
The end we start from by Megan Hunter
In the near future London floods catastrophically, resulting in a mass exodus of refugees into the rest of Britain. On the same day, a London woman gives birth to a baby and she and her family have to flee the disaster area, suddenly displaced and lost. The narrative unfolds in short flashes of memory from the mother’s point of view as she tries to not only survive, but create some semblance of a life for her new child. This story was an odd one. I finished it in about 2 hours: I couldn’t put it down but the characters annoyed me so much with their choices, particularly towards the end that I was just left frustrated. It’s an unusual book, and certainly a memorable exploration of the “What if” dystopia scenario but beware feeling an anger that the protagonist is all too willing to forgive a pretty big wrong done to her.
Can you Hear Me? By Elena Varvello
An Italian man reflects on his 16th summer in a sleepy rural town where he started to discover some of life’s pleasures courtesy of his best friend’s mother, while his father spirals into a mental health breakdown that has catastrophic repercussions for his family. I found this to be a tough read, not simply because of the looming foreboding of Elia’s father. His mother suffers horrifically and has her efforts to protect Elia and hold her family together largely ignored. There are secrets hinted at and never revealed and the whole tale ends on a note of despondent acceptance. It was an effective story but I definitely needed something cheerier to read afterwards!
Green Arrow: The Longbow Hunters by Mike Grell Lurene Haines
Yeah not a fan. The artwork was lovely, Oliver and Dinah were great. The story even had an emotional dimension that I welcome in my superhero stories. But I have a real problem with how they chose to victimise Dinah without giving her a substantial story (Other than the repercussions of her investigation, her story is mainly conducted off panel) all for a pay off in future comics. Word to the wise, if you have to dedicate a section in your intro as to WHY you feel you had to abuse the female lead then you’re writing your female characters wrong. Moreover Oliver felt like a passenger in his own Green Arrow story. It’s all set up and very little pay off, and in a graphic novel that is considered a classic I expect more.
Pick of the month: The Guilty Feminist: From our noble goals to our worst hypocrisies by Deborah Frances White
Dud of the month: Green Arrow: The Longbow Hunters by Mike Grell and Lurene Haines et all